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31. [new work] (2027) for violin, video, and live-electronics

Commissioned by Adam Woodward with support from Musikfonds e.V.

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30. decentralized machine manifesto (2026) for ensemble, video projection, screens, and live-electronics [13']

Commissioned by the International Ensemble Modern Academy for the Gaudeamus Muziekweek

 

29. orchid pavilion (2026), "tele-music" for staged ensemble, live-automated video capture, lighting, and live-electronics [14']

Commissioned by the International Ensemble Modern Academy for the cresc... Biennale für aktuelle Musik Frankfurt Rhein Main

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28. fireworks (study) (2025) for alto saxophone, contrabass, transducer, and lighting [11']

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27. orchid pavilion (media study after cyprien gaillard) (2025) for baritone saxophone, video, and live-electronics [7']​

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26. landscape music (2024), distributed project for percussionist, multimedia, and website

Commissioned by Michael Murphy with support from the Canada Council for the Arts

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25. tang ren jie (five media assemblages) (2023) for modern shō, retuned gagaku shō, accordion and multimedia [12']​

Commissioned by Freesound with support from the Canada Council for the Arts

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24. shawm music (toward a minor music) (rev. 2024) for staged ensemble (bass flute, violin, cello, piano, percussion), text video, lighting and live-electronics [43']

Commissioned by Ensemble Fons

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23. frontier (2021) for amplified and prepared erhu, pipa, guzheng, percussion ensemble with fixed media [15']

Commissioned by the Hangzhou Contemporary Music Festival and AIR contemporary music collective

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22. procession - chamber (shawm band field recording, c. 1990) (2021) for trumpet and fixed media [9']

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21. earth. pillar. sky. (rev. 2021) for amplified and prepared guqin [19']

Commissioned by AIR contemporary music collective

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20. asunder (syntagma) (rev. 2022) for bass flute and live-electronics [10']

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19. after Xin Qiji III (2021) for amplified and prepared string quartet [11']

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18. earth. pillar. sky. (original version, 2020) for amplified and prepared guqin [15']

Commissioned by AIR contemporary music collective

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17. Three ceremonies (2020) for viola solo, flute, clarinet, violin, cello and piano [7']

 

16. Ritual IV (2020) for flute, clarinet, violin, cello, piano, percussion and live-electronics [12']

Commissioned by the Eastman Audio Research Studio

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15. after Xin Qiji II (2020) for percussion solo [10'; withdrawn]

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14. Ritual IIIb (2019) for clarinet solo, cello, piano and percussion [10']

 

13. Ritual IIIa (2019) for clarinet solo, cello, piano and percussion [11’]

Commissioned by Continuum Contemporary Music

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12. sudden sculptures of the wind (2019) for shakuhachi, sheng, cello, guqin, guzheng, percussion, and piano [13’]

Commissioned by AIR contemporary music collective

                       

11. after Xin Qiji I (2018) for string quartet [6’]

 

10. silent waves asunder (2018) for bass clarinet and quadrophonic live-electronics [6’]

 

9. Ritual II (2018 rev. 2019) for oboe solo, flute, clarinet, trumpet, harp, piano, 2 percussionists, cello and bass [21’]

 

8. Chansons du néant (2018) for mezzo-soprano and orchestra [3’]

 

7. fragments after (2018) for piano [5’]

 

6. ancient lament (2018) for soprano solo, flute, oboe, clarinet, bass clarinet, trumpet, harp, 2 percussionists, 2 violins, viola, 2 cellos, double bass [22’]

Commissioned by OSSIA New Music

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5. unto the water’s edge (2017) for quadrophonic fixed media [4’; withdrawn]

 

4. Ritual I (2017) for cello solo, guitar, and two percussionists [6’]

 

3. wanderer (2017) for mezzo-soprano, viola, harp [8’; withdrawn]

 

2. Landscapes Clear and Radiant (2016) for flute, clarinet, violin and cello [5’; withdrawn]

 

1. Invitation to Rusticate (2016) for soprano and violin [9'; withdrawn]

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