A Phenomenology of "Shimmer": Klangtypen and Arpeggio in Liza Lim's Invisibility (2009)

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(2020)

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Analytical paper applying Lachenmann's theories on formal analysis to Liza Lim's solo 'cello piece Invisibility. Examines how transcultural aesthetics can be communicated on the phenomenological level. Manuscript copy. 

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