top of page
A Phenomenology of "Shimmer": Klangtypen and Arpeggio in Liza Lim's Invisibility (2009)
(2020)
Analytical paper applying Lachenmann's theories on formal analysis to Liza Lim's solo 'cello piece Invisibility. Examines how transcultural aesthetics can be communicated on the phenomenological level. Manuscript copy.
bottom of page